Carmina Gadelica is an anthology of poems and prayers from the Gaelic oral tradition, the most comprehensive ever collected. They came from communities all over the Highlands and Islands of Scotlad, were often shared or performed in the evening ceilidh and therby passed on from generation to generation. Alexander Carmichael complied the collection in the second half of the nineteenth century, and in doing so created a lasting record of a culture and way of life that has now largely disappeared. In the Introduction, Carmichael recounts with great warmth and evident pleasure the hospitality which he received from the people whose songs and stories he was anxious to record "I have three regrets -" he says, "that I had not been earlier collecting, that I have not been more diligent in collecting, and that I am not better qualified to treat what I have collected." Nevertheless, Carmina Gadelica quickly became an invaluable resource for those wanting to study and understand Gaelic culture and for those wanting to experience the beauty and wisdom of its oral literature.
Never mock what others say. Perhaps their words are full of nonsense.Perhaps they are trying to puff themselves up.Perhaps they like hearing the sound of their voices.Perhaps they are trying to deceive their hearers.Perhaps they are foolish and dim.Perhaps they are more clever than wise.Yet amidst the useless clayYou may find jewels beyond price.The word of God is in every heart,And can speak through every voice.
Never mock (p.104)
This collection of stories, meditations, poems and prayers evokes the authentic spirit of Celtic Christianity. Capturing the atmosphere of parables passed down through generations, it shows the human warmth, respect for the natural world and robust, down-to-earth qualities for which Celtic spirituality is so greatly valued.
With its rich treasury of material – most of it previously unavailable in modern editions – Celtic Parables offers a fresh lively introduction to the Celtic world. It will appeal to all those fascinated by our Celtic heritage and the way it speaks directly to us today.
Thomas Merton's life, especially once he had become a writer, was to a great extent one of dialogue with people who were distant, both geographically and historically. In these probing and perceptive studies, Rowan Williams looks closely at the key intellectual and spiritual relationships that emerge in Merton's writings, exploring the impact on him of thinkers as diverse as Hannah Arendt, Karl Barth, William Blake, Dietrich Bonhoeffer, Olivier Clement, Fyodor Dostoevsky, Paul Evdokimov, Gerard Manley Hopkins, Vladimir Lossky, John Henry Newman, Boris Pasternak and St John of the Cross.
Spiritual identity is the quest to know who we are, to find meaning in life and to overcome that sense of "is that all there is?"
At the heart of this quest are found Thomas Meron's illuminating insights leading from an awareness of the false and illusory self as the way to a realization of the true self.
For twenty-five years, Merton's Palace of Nowhere has been the standard for exploring, reflecting on, and understanding this rich vein of Merton's thought.