Background: Artist Mary Fleeson comments...'The design of ‘Journey’ was an experiment inspired by a manuscript at the British Library. The parchment I saw had been painted with a rich purple-red ink and the script was formed using gold ink which appeared coppery in colour. Therefore I formed my cross in a similar way and to achieve the layered textural depth effect I experimented with collage.
The working title for the piece was ‘Unknown Journey’, its layers representing C.S Lewis’ view of death as an ‘onward and upward’ journey to a better, brighter, more ‘real’ place.'
Printing and Sizing: This item is 210mm x 297mm and is printed on 300gsm card stock.
There is a traditional saying of ancient wisdom: 'A threshold is a sacred thing. In some places of the world, in some traditional cultures and in monastic life, this is still remembered. It is something, however, that we often forget today. To take time to pause at a threshold - be it a place, or a moment between one action and the next - is to show reverence for the handling of space and time, and respect for those who we meet. Pausing allows us to let go of all the demands and expectations of the previous activity, and to prepare for the encounter with another. Esther de Waal explores what this ancient wisdom has to teach us about our public lives in the world today.
Simplicity – The Freedom of Letting Go by Richard Rohr
St Francis’s ancient call to the simple life of freedom and happiness, as seen by America’s foremost Franciscan. Richard Rohr shows you how to:
Recognize your radical dependence on others
Understand why less is more
Break through to contemplation
Embrace a deeper spiritual freedom
“Rohr’s kind of contemplation is an adventure in the wilderness, letting God call me by name and take me to a deeper place of peace that the world cannot give.”St. Anthony Messenger
Carmina Gadelica is an anthology of poems and prayers from the Gaelic oral tradition, the most comprehensive ever collected. They came from communities all over the Highlands and Islands of Scotlad, were often shared or performed in the evening ceilidh and therby passed on from generation to generation. Alexander Carmichael complied the collection in the second half of the nineteenth century, and in doing so created a lasting record of a culture and way of life that has now largely disappeared. In the Introduction, Carmichael recounts with great warmth and evident pleasure the hospitality which he received from the people whose songs and stories he was anxious to record "I have three regrets -" he says, "that I had not been earlier collecting, that I have not been more diligent in collecting, and that I am not better qualified to treat what I have collected." Nevertheless, Carmina Gadelica quickly became an invaluable resource for those wanting to study and understand Gaelic culture and for those wanting to experience the beauty and wisdom of its oral literature.