In the Celtic way of prayer, the divine glory was intertwined with the ordinariness of everyday events like the patterns on carvings and in illuminated Gospels.
The modern prayers in this book beautifully recapture that tradition. They were composed in a small parish in the north of England to help individuals and groups rediscover the use of life's simple rhythms in their worship of the Eternal Presence.
Here are prayers for individual devotions and for corporate worship, as well as for quiet days and retreats.
Early Irish scoiety is famous for its contribution to religious art, and many of its saints are still renowned for their holiness. What is far less well known is how that culture expressed itself in theological reflection. This book assumes that very Christian culture gives a specific, local slant to its picture of Christianity; one which reflects its particular concerns, background and tradition of teaching. This book's aim is to draw out some features of this 'local theology' as seen in some of the most famous Celtic authors and texts of the first millenium. It examines the theological framework within which St Ptrick presented his experience and lloks at how the Celtic lands of Ireland and Wales developed a distinctive view of sin, reconciliation and Christian law which they later exported to the rest of western Christianity. It looks at writers like Adomnan of Iona and at Muirchu who reflected on the meaning of the conversion of his people two centuries later. It survery how they approach liturgy, sacred time and the Last Things. By examining well-known texts such as the Voyage of St Brendan and books such as the Stowe Missal and the Book of Armagh from the fresh standpoint of formal theology, the book brings familiar texts to lie in a new way. While aimed primarily at those intersted in Christianity in Celtic lands, Celtic Theolog also fills a long-standing gap in the history of early medieval theology int he west.
Carmina Gadelica is an anthology of poems and prayers from the Gaelic oral tradition, the most comprehensive ever collected. They came from communities all over the Highlands and Islands of Scotlad, were often shared or performed in the evening ceilidh and therby passed on from generation to generation. Alexander Carmichael complied the collection in the second half of the nineteenth century, and in doing so created a lasting record of a culture and way of life that has now largely disappeared. In the Introduction, Carmichael recounts with great warmth and evident pleasure the hospitality which he received from the people whose songs and stories he was anxious to record "I have three regrets -" he says, "that I had not been earlier collecting, that I have not been more diligent in collecting, and that I am not better qualified to treat what I have collected." Nevertheless, Carmina Gadelica quickly became an invaluable resource for those wanting to study and understand Gaelic culture and for those wanting to experience the beauty and wisdom of its oral literature.