My soul waits for the Lord,
More than those who watch for the morning,
More than those who watch for the morning.
Out of the depths I have cried to you, O Lord hear my voice.
With my whole heart I want to praise you, O Lord hear my voice.
If You Lord should mark iniquities
Who could stand?
Who could stand?
I will wait for the Lord, my soul waits
And in His word do I hope.
Background: Based on Psalm 130 these words were written by Larry & Pearl Brick for a song called ‘I Will Wait’ on their 1989 album ‘See-through Servant’. Northumbria Community use the song in their Evening Prayer liturgy (see Celtic Daily Prayer)
Printing and Sizing: This item is 210mm x 297mm and is printed on 300gsm card stock
This enduring classic of devotion consists of the letters and recorded conversations of a simple seventeenth-century lay brother who, through the most ordinary of activities, was able to achieve a profound intimacy with God. At any moment and in any circumstance, he taught, we can 'practice the presence of God' – by thinking on Him, loving Him, and offering up our daily tasks as acts of worship. This volume also includes Brother Lawrence's Spiritual Maxims, a summary of his teachings in the form of short aphorisms and sayings.
Brother Lawrence of the Resurrection (c1611-1691) born Nicholas Herman, spent most of his life serving as a kitchen hand and errand boy at the Monastery of the Discalced Carmelites in Paris.
There is a traditional saying of ancient wisdom: 'A threshold is a sacred thing. In some places of the world, in some traditional cultures and in monastic life, this is still remembered. It is something, however, that we often forget today. To take time to pause at a threshold - be it a place, or a moment between one action and the next - is to show reverence for the handling of space and time, and respect for those who we meet. Pausing allows us to let go of all the demands and expectations of the previous activity, and to prepare for the encounter with another. Esther de Waal explores what this ancient wisdom has to teach us about our public lives in the world today.
The isles in the title of this book are the Hebrides which lie between the west of Scotland and the north of Ireland, and the songs are the prayers an blessings which originated there between the sixth and ninth centuries. They remained a purely oral tradition until a hundred years ago when Alexander Carmichael collected and published them as Carmina Gadelica, the source book that led to the revival of Celtic spirituality today. These prayers and songs capture the remarkable spiritual vision of a people keeping faith through good and ill, ekeing out an existence in a world that was often harsh and inhospitable. They rejoice at the birth of a child o a good harvest, glory in natural beauty, lament in suffering, cry out for help or protection, and invoke God's blessing on even the most humble tasks. Until now we have only known them in the Victorian language of Carmichael's collection, bu in Kathleen Jones' fresh translation, thir poetic simplicity and power is fully revealed and we hear authentic Celtci voices speaking with conviction about life and death, hearth and home, land and sea, and the journey of the soul beneath the protecting power of heaven.