Words:
My soul waits for the Lord,
More than those who watch for the morning,
More than those who watch for the morning.
Out of the depths I have cried to you, O Lord hear my voice.
With my whole heart I want to praise you, O Lord hear my voice.
If You Lord should mark iniquities
Who could stand?
Who could stand?
I will wait for the Lord, my soul waits
And in His word do I hope.
Background:
Based on Psalm 130 these words were written by Larry & Pearl Brick for a song called ‘I Will Wait’ on their 1989 album ‘See-through Servant’. Northumbria Community use the song in their Evening Prayer liturgy.
Printing and Sizing:
This item is 105mmX148mm and is printed on 300gsm gloss card stock. Each card is blank inside, has its title and copyright details on the back and is individually wrapped in cellophane with an envelope.
Downward Mobility and the Spiritual Life by Henri Nouwen
In these short reflections Herne Nouwen explores the theme of downward mobility as the way of Christ, and the things that tempt us away from it, namely, the lure of success, of power, of being needed and important. Originally serialized in the magazine Sojourners, Nouwen wrote the articles during his years as a professor at Yale Divinity School. There he enjoyed academic success and found fame as a spiritual writer, but was struggling to find his true vocation. Here he seeks to explain for himself and his readers how choosing the downwardly mobile path can, conversely, be the means of growth and new life in Christ.
Spiritual identity is the quest to know who we are, to find meaning in life and to overcome that sense of "is that all there is?"
At the heart of this quest are found Thomas Meron's illuminating insights leading from an awareness of the false and illusory self as the way to a realization of the true self.
For twenty-five years, Merton's Palace of Nowhere has been the standard for exploring, reflecting on, and understanding this rich vein of Merton's thought.
Words: None
Background: Artist Mary Fleeson comments...'The design of ‘Journey’ was an experiment inspired by a manuscript at the British Library. The parchment I saw had been painted with a rich purple-red ink and the script was formed using gold ink which appeared coppery in colour. Therefore I formed my cross in a similar way and to achieve the layered textural depth effect I experimented with collage.
The working title for the piece was ‘Unknown Journey’, its layers representing C.S Lewis’ view of death as an ‘onward and upward’ journey to a better, brighter, more ‘real’ place.'
Printing and Sizing: This item is 210mm x 297mm and is printed on 300gsm card stock.
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